血煙高田の馬場
The tale of Nakayama Yasubei’s duel is famous, even if he in reality probably did not cut down 18 opponents. The story has been related in film, rakugo, kodan and on stage many times, in part because Nakayama later joined the famous 47 Ronin (Chushingura) as Horibe Yasubei. But Makino and Inagaki’s version gives no hint of this more serious future, playing up the thrills and the comedy with Bando’s bravura performance. The multiple pans of Yasubei running to the duel are an exemplar of the experimental flourishes of 1930s Japanese cinema and the final duel, performed virtually like a dance number, is a marker of Makino’s love of rhythm and one of the best sword fights in Japanese film history. The film was originally released under the title Chikemuri Takadanoba (Bloody Takadanobaba) with a length of 57 minutes, but suffered some cuts and a title change when it was re-released in 1952.
Género: Acción, Comedia, Drama
Emitir: 阪東妻三郎, 志村喬, 團徳麿, 香川良介, Chiyoko Ôkura, 市川百々之助, Shunzaburo Iba, 原駒子, Shojiro Ichikawa, 藤川三之祐, Yuzure Kume, 瀬川路三郎, 尾上華丈
Tripulación: Maki Tozo (Screenplay), Maki Tozo (Original Story), Ban Takahashi (Music), Yukio Kaihara (Sound Recordist), マキノ雅弘 (Director)
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血煙高田の馬場 1937
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